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											For the fourth  time, the “Thracian mysteries” festival offers a journey back in time to  thousands of years ago with reenactments in which viewers are able to come in  contact with the rituals, way of life and beliefs of the ancient tribes that  once inhabited the lands of what is today Bulgaria, but also, with the help of  artistic tools, to get involved in them as well.
Starting with the European Night of Museums in Sofia, making a stopover at the historical settlement Aquae Calidae in Burgas where the Thracians turned a curative spring into a place of worship, and to the cave Magurata with its rock drawings from the Upper Paleolithic period, the festival opens a door to scenes and pictures from the time of the Thracian civilization.
“We try  to offer an authentic experience at historical locations connected with our  heritage, and on this basis we build an interactive space as  sacred territory where viewers and participants can come in contact with this  ancient culture which we have inherited,” says Plamen Ivanov, director of the  festival. 
“The mystery of the Getae” is the next  event on the festival calendar which will be performed for the first time on 24  August against the background of the Thracian royal tomb in the village of  Sveshtari not far from Isperih.
A week later, on 31 August 23, 2024, at  the ancient dome tomb “Hollow mound” near Pomorie a new show will be presented entitled  “Cabeirian mystery”. Visitors will be able to take part in a procession by the  retinue of the Thracian god Dion (Dionysus) and his maenads*.
“These  processions are in the tradition of the ancient Orphic mysteries, they are in  fact theantecedentsof the icon-bearing processions in Christian  tradition today,” Plamen Ivanov explains.
The highlight of the festival is on 29  September when, throughout the whole day, the Ancient Theatre and the Roman  Stadium in Plovdiv will be the setting for a diverse programme. Digital artist Dilyana  Angelova will present her exhibition “Thracian mysteries” – a supplemented  collection of paintings with Orphic symbols. A cycle of interactive lectures  will prepare the mind and the senses of the visitors for what is to come. 
“After the lectures comes a procession urging  the public to join us and proceed to Plovdiv’s Ancient Theatre where the  festival polis will be,” says the festival’s director. With the help of workshops  we shall introduce our guests to the life of our ancient ancestors – their lifestyle  and their rituals. We shall eat Thracian  ritual bread, wear Thracian clothing, drink Thracian wine out of Thracian  pottery and live life as Thracians once did.”
And though they make use of artistic  tools, the festival’s organizers take historical facts as the basis for the  events they have organized, says Plamen Ivanov. 
“We base our work on our  multi-disciplinary research based on ancient documents, artifacts, clay tiles  with signs on them, pottery, as well as the sacred festive calendar,” he goes  on to say. “There are innumerable sources as long as someone gets down and  collects and interprets them. And we see the thread running from an uninterrupted  tradition in culture and the beliefs of our ancestors from the megalithic  civilization, the Orphic heritage, the sacred rituals of the festive calendar  right down to Christianity and the present day. That is what we have  established but we interpret and update this tradition using the modern methods  of culture and art so as to present it in a vibrant way to our contemporaries.”
*Maenads – women followers of the god Dionysus (known also as Dion).
More:
Translated and posted by Milena  Daynova
Photos: Thracian Mysteries festival
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